Palabras clave
This article examines the (self) construction of the ecclesiastical image of Francisco Orozco y Jiménez
archbishop of Guadalajara from 1912 to 1936. During his lifetime two contrasting images of Orozco y Jiménez coexisted
the one he created himself and the one that several anticlerical and civil governments drew of him. At the beginning of his rule one of his best weapons was the image of the young archbishop
at the end
his old man’s looks shielded him effectively of the attacks from the civil authorities. Photographs as historical documents are the main source of information in this analysis
based on the theoretical assumptions of Erving Goffman and Peter Burke on how individuals portray themselves in society
and the concept of tradition conceived by Eric Hobsbawm. Iglesia católica
arzobispo
imagen
fotografÃa
Guadalajara
archbishop of Guadalajara from 1912 to 1936. During his lifetime two contrasting images of Orozco y Jiménez coexisted
the one he created himself and the one that several anticlerical and civil governments drew of him. At the beginning of his rule one of his best weapons was the image of the young archbishop
at the end
his old man’s looks shielded him effectively of the attacks from the civil authorities. Photographs as historical documents are the main source of information in this analysis
based on the theoretical assumptions of Erving Goffman and Peter Burke on how individuals portray themselves in society
and the concept of tradition conceived by Eric Hobsbawm. Iglesia católica
arzobispo
imagen
fotografÃa
Guadalajara
Cómo citar
Preciado, J. (2013). Dos imágenes del arzobispo de Guadalajara Francisco Orozco y Jiménez. Desacatos. Revista De Ciencias Sociales, (40), 79–96. https://doi.org/10.29340/40.257