Son Jarocho in-between Mexico and United States: Definition “Afro†of a Transnational Practice

Authors

  • Ishtar Cardona Centro de Investigaciones y Estudios Superiores en Antropología Social-Peninsular, Mérida, Yucatán, México
  • Christian Rinaudo Université Côte d’Azur, Centre national de la recherche scientifique, Institut de recherche pour le développement, Unité de recherche Migrations et Société, Niza, Francia

DOI:

https://doi.org/10.29340/53.1688

Keywords:

Abstract

Son Jarocho, a musical genre from Veracruz, Mexico, has been nationally regarded during the 20th century as one of the original components of the Mexican cultural heritage. The recent opularizers of Son Jarocho have drifted away from the historic styles in favor of new forms that may be more commercial. The Jaranero Movement —named so after the central use of the jarana, a small guitar of Spanish origin—, attempted to recover the tradition of Son Jarocho musical style, since it has been exploited for commercial goals since the 1940s. It also tries to recover the roots of the genre, “whitened†or lost to European influences. In the last 20 years the new generation of Veracruz musicians and the Chicano movement in the United States have multiplied their collaborative efforts to recover an authentic version of Son Jarocho. In this process, the encounter with the African roots have been occurring in a new way.

Downloads

Download data is not yet available.

Downloads

Published

2017-01-23

How to Cite

Son Jarocho in-between Mexico and United States: Definition “Afro” of a Transnational Practice . (2017). Desacatos. Revista De Ciencias Sociales, 53, 20-37. https://doi.org/10.29340/53.1688